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Die, Monster, Die! (1965) – Episode 38 – Decades of Horror: The Classic Era

“It looks like a zoo in Hell!” Indeed it does! In fact, the whole film is a bit of a zoo. Join Chad Hunt, Joseph Perry, and Jeff Mohr, along with guest host Mike Imboden, as they visit the zoo in question, or in other words, discuss AIP’s Die, Monster, Die!, a film that tied for first place in our latest Patreon poll. In the process, maybe they can figure out why the monster has to die twice.

Decades of Horror: The Classic Era
Episode 38 – Die, Monster, Die! (1965)

Die, Monster, Die!, also known as Monster of Terror, is helmed by first time director Daniel Haller. Loosely based on the H.P. Lovecraft story, “The Colour Out of Space,” the screenplay is written by Jerry Sohl. In this version, the story depicts Nahum Witley (Boris Karloff) as the head of the Witley family. Some years ago, the family property was hit by a radioactive meteorite that caused mutations, followed by decay, in all living things. Of course, Nahum thought it a good idea to bring the meteorite into the house for experiments there and in the greenhouse.

Not surprisingly, the radiation causes the physical deterioration of Nahum’s wife (Freda Jackson), her maid, and his butler (Terence de Marney). Nahum’s wife summons their daughter’s boyfriend (Nick Adams) from America to come save their daughter (Suzan Farmer) from the same fate. However, Nahum’s not having it. The cast is rounded out nicely with supporting roles from Patrick Magee as Dr. Henderson and Sheila Raynor as the Dr.’s housekeeper.

This episode’s Grue Crew have a mixed reaction to Die, Monster, Die! They all agree Boris Karloff is the main attraction and does a fine job and that the film looks great. Jeff appreciated the set design and furnishings in the English mansion. The opening scenes of the Nick Adams character’s attempts to find a ride to “the Witley place” tripped Mike’s trigger, but more importantly, he wants more Merwyn! Joseph, Chad, and Mike are fans of Nick Adams from his appearances in a few Toho productions while Jeff favors his output in westerns, purely from a nostalgia viewpoint. Though this film has a lot of issues, the script being the major one despite Jerry Sohl’s other credits, the Grue Crew think it’s worth a watch, especially if you’re looking for something different. After all, they don’t make them like Die, Monster, Die! anymore.

We plan to release a new episode every other week. On the next episode in our very flexible schedule, we‘ll be covering Universal’s The Wolf Man (1941), the other film that tied for first place in our latest Patreon Poll.

Please let us know what you think of Decades of Horror: The Classic Era! We want to hear from you! After all, without you, we’re just four nutjobs talking about the films we love. Send us an email or leave us a message, a review, or a comment at GruesomeMagazine.com, iTunes, Stitcher, Google Podcast, or the Horror News Radio Facebook group.

To each of you from each of us, “Thank you for listening!

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Tales from the Crypt (1972) – Episode 8 Decades of Horror 1970s

“You were cruel and mean right from the start, now you can truly say you have no heart.” Peter Cushing as Arthur Grimsdyke leaves a horrifying Valentines card for his murderers in Poetic Justice, one of the fantastic stories in the classic Amicus Anthology film Tales from the Crypt (20172). Inspired by the EC Comics in the fifties, Milton Subotsky pens a memorable, creepy tome featuring a deadly Santa, an antique with a deadly touch, a maze of death and more.  The Black Saint and Doc Rotten tackle another groovy horror film from the 1970s.

Decades of Horror 1970s
Episode 8 – Tales from the Crypt (1972)

Tales from the Crypt is not the first horror anthology, it is not even the first from the British film company Amicus, but it may be the best remembered – if not, it should be. Drawing inspiration directly from the horror comics two decades earlier, the film ties together five short tales with a wrap around story featuring the Crypt Keeper. The Black Saint and Doc recap and review each story praising Peter Cushing in Poetic Justice and the creative revenge found in Blind Alleys. The film is responsible for inspiring two sequels, Vault of Horror and From Beyond the Grave, a loving tribute from Stephen King and George Romero with Creepshow and an HBO television that elevated the Crypt Keeper to a modern horror icon.

We want to hear from you – the coolest, grooviest fans:  leave us a message or leave a comment on the site or email the Decades of Horror 1970s podcast hosts at theblacksaint@decadesofhorror.com or docrotten@decadesofhorror.com.

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