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Seconds (1966) – Episode 33 – Decades of Horror: The Classic Era

“The question of death selection may be the most important decision in your life.”  What?! You get to select your own death? That’s usually not the case but in the world of John Frankenheimer’s Seconds (1966), that’s exactly what the character played by John Randolph and Rock Hudson has to do. Yes, you read that right. They play the same character. Join Jeff Mohr, Chad Hunt, and Joseph Perry, along with guest host Bill Gabriel, as we spend a lot of seconds digging into Seconds!

Decades of Horror: The Classic Era
Episode 33 – Seconds (1966)

This film’s title does not refer to the seconds on your watch, but to second chances. Seconds tells the story of one Arthur Hamilton (John Randolph), a middle-aged banker that has lost all interest in his life, his job, his wife (Frances Reid), and even his daughter. An old friend (Murray Hamilton) who Arthur thought was dead, reaches out to give him an opportunity to begin anew, a second chance if you will. Arthur looks into this possible new life and after some debate and eventually some blackmail, “decides” to take advantage of the offer. After his “death” and some plastic surgery, Arthur looks a lot like Rock Hudson and is rechristened Tony Wilson. As you probably suspect, even though the Company has orchestrated some female companionship (Salome Jens) for him, Tony’s new lease on life turns out not to be the panacea he expected.

Adapted for the screen by Lewis John Carlino from the novel by David Ely, Seconds has gone from box office failure to classic in the 50+ years since its release. Director John Frankenheimer surrounded himself with a high quality crew on all accounts, including cinematographer James Wong Howe who received an Academy Award nomination for his work on Seconds. Frankenheimer also enlisted a superb supporting cast, including Will Geer, Richard Anderson, Jeff Corey, Khigh Dhiegh, Wesley Addy, Nedrick Young, and Karl Swenson.

This episode’s Grue Crew gives Seconds the highest accolades and recommends it to all Grue Believers. Each of them also holds the opinion that Rock Hudson and James Wong Howe should have received Academy Awards for their work on this films. Don’t give this underappreciated classic a second thought. You must see Seconds!

We plan to release a new episode every other week. The next episode in our very flexible schedule is the Poverty Row gem, Strangler of the Swamp (1946), selected by Joseph Perry.

Please let us know what you think of Decades of Horror: The Classic Era and what films you’d like to hear us cover! We want to hear from you! After all, without you, we’re just four nutjobs talking about the films we love. Send us an email or leave us a message, a review, or a comment at GruesomeMagazine.com, iTunes, Stitcher, the Horror News Radio App, or the Horror News Radio Facebook group.

To each of you from each of us, “Thank you for listening!

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House of Wax (1953) – Episode 25 – Decades of Horror: The Classic Era

“Everything I ever loved has been taken away from me, but not you, my Marie Antoinette, for I will give you eternal life.” A strange line indeed, especially when you discover Prof. Henry Jarrod is talking to a wax sculpture as if it is a living human being. Then you realize Vincent Price is the actor portraying Prof. Jarrod. The master of the macabre makes it all seem so much more normal. In this episode, your Grue Crew – Erin Miskell, Chad Hunt, Joseph Perry, & Jeff Mohr – wax poetic on the 3D groundbreaking House of Wax (1953).

Decades of Horror: The Classic Era
Episode 25 – House of Wax (1953)

Directed by André De Toth and written by Crane Wilbur from a story by Charles Belden, House of Wax tells the story of Prof. Henry Jarrod, a brilliant sculptor whose works populate the wax museum he owns. Early on, his partner (Roy Roberts) burns down the museum in pursuit for ill gotten gains with Prof. Jarrod inside. Badly burned, Jarrod can no longer sculpt so he enlists the aid of two assistants (Charles Bronson, Nedrick Young) to create his wax statues in order to reopen the museum. His intent is to use two beautiful roommates (Carolyn Jones, Phyllis Kirk) as his “models” for Joan of Arc and Marie Antoinette. It seems, however, that Prof. Jarrod’s trauma has taken his artistic obsession to a new level and his plans are far more diabolical than they at first appear.

House of Wax holds the distinction of being the first major studio production filmed in 3D. Who can forget the paddle-ball-thumping barker in front of Jarrod’s museum for its reopening, repeatedly whacking the ball straight into the camera? Joseph proclaims his love for the 3D gimmickry of this era, various items thrown into the screen and all.

For Erin, this one is all about the actors, Vincent Price and Carolyn Jones in a supporting role, and she wonders if Price’s character is the protagonist or the antagonist. House of Wax is a remake of Mystery of the Wax Museum (1933) and Jeff discusses the difference in the way drug addiction is portrayed in the pre-code original and how alcoholism is portrayed in the 1953 version. Erin broadens the discussion of addiction beyond drugs and alcohol to include behavioral obsessions as depicted in the film. Chad carries that on to relate to the attachment that artists feel for their creations. Joseph admits yet another childhood trauma (remember Invasion of the Body Snatchers?) relating to mannequins as the result of House of Wax.

We plan to release a new episode every other week. The next episode in our very flexible schedule is The Curse of Frankenstein (1957), selected and hosted by Chad Hunt. Episode 26 will be our anniversary episode so we will also discuss the podcast’s first year.

Please let us know what you think of Decades of Horror: The Classic Era and what films you’d like to hear us cover! We want to hear from you! After all, without you, we’re just four nutjobs talking about the films we love. Send us an email  (chadhunt@gruesomemagazine.com, erinmiskell@gruesomemagazine.com, jeffmohr@gruesomemagazine.com, or josephperry@gruesomemagazine.com) or leave us a message, a review, or a comment at GruesomeMagazine.com, iTunes, Stitcher, the Horror News Radio App, or the Horror News Radio Facebook group.

To each of you from each of us, “Thank you for listening!