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Dead of Night (1945) – Episode 31 – Decades of Horror: The Classic Era

“Just room for one inside, sir.” Hearing this, you might be relieved to discover there’s still room to accomodate you. On the other hand, if the speaker is a hearse driver, it would send chills up your spine. Join your ever faithful Grue Crew for this episode – Chad Hunt, Jeff Mohr and special guest Whitney Modesta Collazo – as they manage to avoid riding in a hearse, but still get caught in the neverending story framing the legendary British horror portmanteau, Dead of Night (1945)

Decades of Horror: The Classic Era
Episode 31 – Dead of Night (1945)

As an anthology, Dead of Night consists of five independent shorts tied together by a powerful framing story, all of which creates a flashback within a dream within a dream. The five separate stories are The Hearse Driver (d. Basil Dearden, story by E. F. Benson), The Christmas Party (d. Alberto Cavalcanti, story by Angus MacPhail), The Haunted Mirror (d. Robert Hamer, story by John Baines), The Golfer’s Story (d. Charles Crichton, story by H. G. Wells), The Ventriloquist’s Dummy (d. Alberto Cavalcanti, story by John Baines), and the framing sequences directed by Basil Dearden. The film includes memorable performances from Michael Redgrave, Mervyn Johns. Googie Withers, Miles Malleson, Basil Radford, and Naunton Wayne.

Dead of Night, though not the first horror anthology film, set the standard for the anthologies that were to proliferate in the 1960s and 1970s. Also not the first ventriloquist and his dummy horror film, the influence of The Ventriloquist’s Dummy can be seen in media from an episode of The Twilight Zone (1962) to Magic (1978) and to Dead Silence (2007).

This episode’s Grue Crew were completely won over by Dead of Night and universally thought The Ventriloquist’s Dummy was their favorite piece. They each thought the framing sequence was ingenious and might well be their favorite of those used in all horror anthologies.

We plan to release a new episode every other week. The next episode in our very flexible schedule is Alfred Hitchcock’s The Birds (1963), selected by Chad Hunt.

Please let us know what you think of Decades of Horror: The Classic Era and what films you’d like to hear us cover! We want to hear from you! After all, without you, we’re just four nutjobs talking about the films we love. Send us an email or leave us a message, a review, or a comment at GruesomeMagazine.com, iTunes, Stitcher, the Horror News Radio App, or the Horror News Radio Facebook group.

To each of you from each of us, “Thank you for listening!

 

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The Day of the Triffids (1963) – Episode 30 – Decades of Horror: The Classic Era

“Keep behind me. There’s no sense in getting killed by a plant.”  Hmm, a killer plant, you say? Maneater of Hydra (1967)? We already did that in episode 2. The Thing from Another World (1951)? Nope, that was episode 7. Invasion of the Body Snatchers (1956)? Wrong again. That was episode 24. Little Shop of Horrors (1960)? Huh-uh. We haven’t done that one yet, but that’s not a bad idea. No, this episode’s film is none other than The Day of the Triffids (1963), based on John Wyndham’s classic, 1951 science fiction novel of the same name. Join Chad Hunt and Jeff Mohr, along with guest host Adam Thomas, as we blindly tiptoe through the triffids with you.

Decades of Horror: The Classic Era
Episode 30 – The Day of the Triffids (1963)

The first thing your faithful Grue Crew learned is the writer credited with The Day of the Triffids did none of the writing. Philip Yordan, listed as the writer on screen, was really a front for the actual screenwriter, blacklisted Bernard Gordon. The director of record is Steve Sekely, who did do the initial direction. The finished product was deemed too short, however, and Freddie Francis was brought in to direct a parallel storyline taking place entirely with a couple in a lighthouse.

The Day of the Triffids opens with Bill Masen (Howard Keel), blinded in an accident, about to get his bandages removed. At the same time, the rest of the world is experiencing a blindingly spectacular meteor shower. No really. Everyone who looks at it, which is nearly everyone, is blinded. The meteor shower also brings some magic which causes the walking, stalking, man-eating plants known as triffids to rapidly grow to a height of 8-10 feet. It turns out that triffids breed faster than rabbits and grow faster than weeds, and begin to feed on the blind and helpless humans.

Bill, who can see (remember the bandages), heads out through the devastated city and across the countryside. On his way, he encounters several other sighted people: Karen (Janina Faye), a young girl who escapes a train crash; Christine Durrant (Nicole Maurey), a French woman who owns a large chateau in which she is housing rescued blind children and adults; Mr. Coker (Mervyn Johns), an elderly man who is helping Miss Durrant; and a band of escaped convicts. None of these sighted people meet the also sighted Karen and Tom Godwin (Janette Scott and Kieron Moore) who are the only characters in the added lighthouse scenes.

Adam can’t stop bringing up how a few of the characters really abandon the blind people at the home and leave them at the mercy of the sighted convicts. He means, they’re really, really abandoned! Jeff once again extols the virtues of a John Wyndham novel and is amazed at what a good cliff diver Howard Keel is. Chad loves the scenes in the lighthouse and the relationship between the Goodwins. Rest assured, the three hosts consider The Day of the Triffids to be a bona fide genre classic, worthy of a Decades of Horror: The Classic Era treatment. Seriously, who hasn’t heard of triffids?

We plan to release a new episode every other week. The next episode in our very flexible schedule is Dead of Night (1945), selected by Jeff Mohr.

Please let us know what you think of Decades of Horror: The Classic Era and what films you’d like to hear us cover! We want to hear from you! After all, without you, we’re just four nutjobs talking about the films we love. Send us an email or leave us a message, a review, or a comment at GruesomeMagazine.com, iTunes, Stitcher, the Horror News Radio App, or the Horror News Radio Facebook group.

To each of you from each of us, “Thank you for listening!