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Dracula (1931) – Episode 20 – Decades of Horror: The Classic Era

“Flies? Flies? Poor puny things! Who wants to eat flies?… Not when I can get nice, fat spiders!” Join the Decades of Horror: The Classic Era Grue Crew for this episode – Erin Miskell, Chad Hunt, Jeff Mohr, and special guest Dave Dreher – as we take a trip to Transylvania and ride aboard the schooner Vesta, only to end up in the Seward Sanitarium and rundown Carfax Abbey in search of Dracula (1931).

Decades of Horror: The Classic Era
Episode 20 – Dracula (1931)

Director Tod Browning and cinematographer Karl Freund collaborated during the production of Dracula to create some of the most lasting icons in horror film history. Bela Lugosi (Dracula), Dwight Frye (Renfield), and Edward Van Sloan (Dr. Van Helsing) are still the portrayals to which all later incarnations are compared. Though Lugosi is the star, your Classic Era Grue Crew all agree that Dracula is Dwight Frye’s movie as he changes from a serious and dignified professional to an unpredictable, maniacal, and downright disturbing lunatic.

Unfortunately, the characters of Lucy (Frances Dade) and Mina (Helen Chandler) are barely more than props to be victimized by Dracula and saved by Van Helsing and John Harker (David Manners). On the other hand, Renfield’s attendant Martin (Charles K. Gerrard) provides the very definition of comic relief. One of our Grue Crew also proclaims their love for Lupita Tovar, who plays Eva, the Spanish language version of Mina.

You’ll also find the answers to these questions:

  • How does the Tod Browning version of Dracula compare to the Spanish language production?
  • What could the Looney Tunes bad-behaved version of Little Red Riding Hood possibly have to do with Dracula?
  • How many degrees of separation are there between the Spanish language version of Dracula and the Star Wars film, Rogue One (2016)?

If you’re paying attention, you’ll find out which of this episode’s Grue Crew made each of these statements during our podcast on Dracula:

  • “Someone just kind of handed him (Dwight Frye) this steak of a role and he just sunk all of his teeth into it and chewed it for all it was worth.”
  • “Was I the only one, when you would see Martin on the screen, that was thinking of Eric Idle from Monty Python?”
  • “The woman had many, many issues. She surpassed issue and went straight to subscriptions.”
  • “Who decided an armadillo was scary?”

We plan to release a new episode every other week. In timing with Halloween, our next episode in our very flexible schedule is Nosferatu (1922), hosted by Erin Miskell.

Please let us know what you think of Decades of Horror: The Classic Era and what films you’d like to hear us cover! We want to hear from you! After all, without you, we’re just four nutjobs talking about the films we love. Send us an email  (chadhunt@gruesomemagazine.com, erinmiskell@gruesomemagazine.com, jeffmohr@gruesomemagazine.com, or josephperry@gruesomemagazine.com) or leave us a message, a review, or a comment at GruesomeMagazine.com, iTunes, Stitcher, the Horror News Radio App, or the Horror News Radio Facebook group.

To each of you from each of us, “Thank you for listening!

 

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The Mummy (1932) – Episode 11 – Decades of Horror: The Classic Era

“’Death… eternal punishment… for… anyone… who… opens… this… casket. In the name… of Amon-Ra… the king of the gods.’ Good heavens, what a terrible curse!” intones Sir Joseph Whemple as he translates the inscription found within the tomb of Imhotep in The Mummy (1932), one of Universal’s classic monster films. Join the Decades of Horror: The Classic Era’s Grue Crew – Chad Hunt, Erin Miskell, Jeff Mohr, and Joseph Perry – as we conduct our own “dig,” dusting off the artifacts we discover, inspecting them from every angle, and discussing what we find.

Decades of Horror: The Classic Era
Episode 11 – The Mummy (1932)

Directed by famed cinematographer Karl Freund, The Mummy was Universal Studio’s response to the public’s apparent thirst for horror films while simultaneously taking advantage of the free marketing created by the discovery and archeological excavation of King Tutankhamun’s tomb. There had even been a story in the New York Times sensationalizing the tomb’s alleged curse by counting off fourteen associated deaths. Universal’s Carl Laemmle Jr. knew the foundation for a film legend when he saw one and he set writers Richard Shayer, Nina Wilcox Putnam, and John Balderston to work. Laemmle next paired Boris Karloff, fresh off Frankenstein (1931) and The Old Dark House (1932), with legendary Universal Studios makeup artist Jack Pierce; added the talented stage actor Zita Johann as the female lead; and rounded off the cast with supporting regulars Edward Van Sloan, David Manners, Noble Johnson, Arthur Byron, and Bramwell Fletcher. Thus a film icon was born.

Listen as we discuss the answers to these questions: How did Zita Johann and Karl Freund get along? How did the story morph from Putnam’s and Shayer’s vision of Allesandro Cagliostro to Balderston’s Imhotep? Why take a chance on first time director Karl Freund? What does Dracula (1931) have to do with The Mummy? For that matter, what does The Mummy have to do with 150 episodes of I Love Lucy (1951-56)?  Or Red Planet Mars (1952)? Or the 1961-64 seasons of Mister Ed? How does The Mummy’s classic poster rank historically?

If you’re paying attention, you’ll also hear which of us makes these comments:

  • “The voices and speech patterns of some of the other actors struck me as just this side of the helium tank at times.”
  • “Even without the mummified makeup he’s still a creepy-looking dude.”
  • “I’m not sure what you’re asking.” “Neither am I. You’re just supposed to come up with an answer.”
  • “He gives birth to one of the most unrealistic man-screams in the history of Hollywood.”

For What It’s Worth Dept.:

  • Hear our second reference to The Honeymooners and our second reference to Iron Maiden.
  • Hear Chad say Ankh-es-en-amon at least 6 times without stumbling once.

We plan to release a new episode every other week. Our upcoming and very flexible schedule includes Village of the Damned (1960), The Cabinet of Dr. Caligari (1920), Bride of Frankenstein (1935), Invasion of the Body Snatchers (1956), and Jû jin yuki otoko (original 1955 Japanese version, aka Half Human),

Please let us know what you think of Decades of Horror: The Classic Era and what films you’d like to hear us cover! We want to hear from you! After all, without you, we’re just four nutjobs talking about thefilms we love. Send us an email  (chadhunt@gruesomemagazine.com, erinmiskell@gruesomemagazine.com, jeffmohr@gruesomemagazine.com, or josephperry@gruesomemagazine.com) or leave us a message, a review, or a comment at GruesomeMagazine.com, iTunes, the Horror News Radio App, or the Horror News Radio Facebook group.

To each of you from each of us, “Thank you for listening!

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Golden Age of Horror – Episode 1 – Dracula (1931)

Tod Browning’s Dracula (1931) introducing Bela Lugosi as Count Dracula is the topic of the first episode of the new podcast from Decades of Horror, The Golden Age of Horror. The monthly show will cover films from the beginning of horror cinema from the 20’s through the 50’s focusing initially on the popular, influential Universal Monster films. The show’s hosts Dave Dreher and Doc Rotten dive into the makings of the film and their fond memories of watching it for the first time as children reflecting on its impact and staying power.

Check out the podcast over at GoldenAgeofHorror.com.

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Golden Age of Horror 
Episode 1 – Dracula (1931)
(48:00, 22:35MB)
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