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Beetlejuice (1988) – Episode 132 – Decades of Horror 1980s

“It’s Showtime!” Beetlejuice (Michael Keaton) gets his show on the road. So why not listen as The Grue Crew does the same?! Celebrating its 30th anniversary this month, Beetlejuice was the film that launched Tim Burton’s career. A horror comedy covered in spirals, normalcy satire and gothic pondering that made Burton the most mainstream recognized auteur of the modern era. However, does Beetlejuice make us Shake Senora or does it deserved to be gobbled up by a sandworm? Tune in and find out!

Decades of Horror 1980s
Episode 132 – Beetlejuice (1988)

Beetlejuice is an odd choice for a titular character, given he’s only in about 17 minutes of the final film. Then again, Keaton’s a pop culture creep with a disgusting charm who makes a huge impression for the limited time. Yet, our protagonists are the newly deceased couple of Adam (Alec Baldwin) and Martha Maitland (Geena Davis) who are stuck in their home and can’t stop it from being sold to new owners. Those new owners are The Deetzes, including the goth daughter Lydia (Winona Ryder) who can see them.. The Maitlands need to get these folks out of their eternal resting place, so they utilize the world of the dead’s rules to their advantage and get the titular ghoul to help out. Betrayal, stop motion and Harry Belafonte ensue from there.

Thomas, Doc Rotten, and Christopher G. Moore crack open their copies of The Handbook for the Recently Deceased to decipher Beetlejuice. Doc admits having fallen back in love with this after some Tim Burton overexposure. Christopher G. Moore revels in his love for all things striped and goth. Thomas just loves how the character and world building meld so well. There’s appreciation for everything from the production design to the diverse musical soundtrack to Dick Cavett’s underrated acting ability. Plus they all agree that “…IT KEEPS GETTIN’ FUNNIER, EVERY TIME THEY SEE IT!”

Contact Us

We want to hear from you – the coolest, most gruesome fans:  leave us a message or leave a comment on the site or email the Decades of Horror 1980s podcast hosts at thomasmariani@decadesofhorror.com or docrotten@decadesofhorror.com.

Special thanks to Neon Devils for their awesome song Bone Chillin!

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The Gate (1987), Our Patreon Poll Winner!

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The Nightmare Before Christmas (1993) – Episode 32 – Decades of Horror 1990s And Beyond

“EUREKA! This year, Christmas will be OURS!” Jack Skellington (Chris Sarandon/Danny Elfman) makes his proclamation to the citizens of Halloweentown. The holiday he just discovered will be his to mold and reshape into something spooky. The Nightmare Before Christmas is a holiday classic for every horror fan. Director Tim Bur-er, I mean Henry Selick gives this stop-motion world a chance to breathe and live for the limited run time. It was a movie Disney didn’t believe in upon initial release, yet it’s become a massive merchandising bonanza. How? Well, Decades of Horror 1990s and Beyond is gonna do the best it can to explain that.

Decades of Horror 1990s And Beyond
Episode 32 – The Nightmare Before Christmas (1993)

Nightmare Before Christmas – based on the poem written by Tim Burton during his days as a Disney animator – follows Jack, The Pumpkin King. Leader of Halloweentown and the symbol all others judge themselves against, Jack feels empty inside. The annual Halloween celebration has turned him into a depressed skeleton man who wanders into the alternate world of Christmas Town. Inspired by the unique holiday qualities, Jack decides to take Santa’s place for Christmas. All while the patchwork girl Sally (Catherine O’Hara) tries to stop him. It’s all done in a musical stop-motion animation style so gorgeous it got the film a Best Special Effects Oscar nomination.

All this is discussed 24 audio frames at a time by Thomas Mariani and his guests Christopher G. Moore, Caitlin Turner and Scott Johnson. All are here to discuss Nightmare Before Christmas as a highly influential watermark for animation in general. Henry Selick’s visuals would bring us the films of LAIKA. Pixar is credited for the computer effects. Tim Burton has ripped this off with Corpse Bride. There’s also plenty of big questions asked. Is this a Halloween or Christmas movie? What is the relationship between Sally and Dr. Finkelstein (William Hickey)? Would Hot Topic survive without Nightmare Before Christmas? Listen to find out!

Contact Us

We want to hear from you – the coolest, most gruesome fans:  leave us a message or leave a comment on the site or email the Decades of Horror 1990s And Beyond podcast hosts at thomasmariani@decadesofhorror.com or tweet Thomas @NotTheWhosTommy. Also, make sure to give us some love via iTunes reviews and ratings. Helps us get more notice along the way.

The intro and outro is “Suck City” by Black Math. Look for more of their music via Free Music Archive.

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Dog Soldiers (2002)

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Batman Returns (1992) – Episode 30 – Decades of Horror 1990s And Beyond

“I am not a human being. I am an animal!” Oswald ‘The Penguin’ Cobblepot (Danny DeVito) declares his identity pretty overtly. Batman Returns is not a subtle movie. Many would question why a superhero movie is being covered on a horror podcast. What is this, Horror News Radio? Well, 1) Batman Returns has been suggested by fans, 2) We’ve got a Justice League movie coming out and 3) there’s some pretty horrific stuff featured in there. How much? Listen to find out!

Decades of Horror 1990s And Beyond
Episode 30 – Batman Returns (1992)

Batman Returns had a lot to live up to. Being the sequel to 1989’s Batman – a game changer in terms of blockbuster filmmaking – there’s a lot of mounting pressure. Director Tim Burton returned along with The Caped Crusader, but promised something a bit different. He kept the gothic noir setting and his Batman/Bruce Wayne actor Michael Keaton but put in a lot more stuff distinctive of him. Outcast villains like The Penguin or Selina Kyle/Catwoman (Michelle Pfeiffer). A brand new shadowy corporate tycoon Max Shreck (Christopher Walken). Black and white stripes. Yup, lots and lots of that. In other words, he turned Batman Returns into more of a Tim Burton film. Something that got him the boot from the franchise due to the macabre nature of the film.

Yet, does that seem to bad in hindsight, given some of the post-Batman Returns films featuring The Dark Knight? That’s up for Thomas Mariani to decide, alongside his panel. Thomas, Chad Hunt, Jordan Worth Cobb and Adam Thomas all discuss what makes Batman Returns such a curious oddity. The campy qualities that recall the 1960s show. Some disturbing imagery that made McDonald’s cancel a Happy Meal tie in. Much like Selina Kyle and Bruce Wayne’s relationship, there’s a whole lot of duality going on. But to quote Christopher Walken, “YAWN.” Why read about it when you can listen in as you slide into your own Batcave.

Contact Us

We want to hear from you – the coolest, most gruesome fans:  leave us a message or leave a comment on the site or email the Decades of Horror 1990s And Beyond podcast hosts at thomasmariani@decadesofhorror.com or tweet Thomas @NotTheWhosTommy. Also, make sure to give us some love via iTunes reviews and ratings. Helps us get more notice along the way.

The intro and outro is “Suck City” by Black Math. Look for more of their music via Free Music Archive.

If you’re donating at least $1 to the Gruesome Magazine Patreon, you can vote for the last Decades of Horror 1990s and Beyond. Just go to the poll here if you’re a patron and vote. Voting ends November 29th.

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The Devil’s Backbone (2001)