post

Black Swan (2010) – Episode 26 – Decades of Horror 1990s and Beyond

“I felt it. Perfect. It was perfect.” Nina (Natalie Portman) realizes her full potential as she performs Swan Lake. But at what cost? The sacrifice of an artist can often be horrific. A true nightmare to need to live up to your craft. Yet, it’s something true artists do on a regular basis. Even if it means losing their sanity, their friends and their own sense of identity. All things Nina is slowly lost in Black Swan. Can Thomas and his own troupe of podcasts keep themselves together? Or will they sink into madness along with Nina? Find out as Decades of Horror 1990s and Beyond steps further into the modern age for the October haunts season!

Decades of Horror 1990s And Beyond
Episode 26 – Black Swan (2010)

Black Swan was released in December of 2010 to massive critical raves. Fresh off a triumphant critical sweep with The Wrestler, Darren Aronofsky took his first full step into the horror genre and got plenty of Oscar buzz for it. Rare for the genre, but not out of bounds for Aronofsky. Afterall, how horrific is the drug themed drama of Requiem for a Dream? Yet, Black Swan is much more firmly planted in the genre, even it it’s within a more grounded prism. After all, Nina is losing her sense of identity and seeing herself as a mutation of beauty. An artist sacrificing her humanity to become the swan she was born to be. Whether it be at the hands of her mother (Barbara Hershey), her teacher (Vincent Cassel) or her competition (Mila Kunis), Nina is losing what it means to be a “little princess.” Will she end up a has been like Beth (Winona Ryder) or will she transform into a fierce formidable foe that swims along the lake for another night?

To answer all of those questions, Thomas has returning guests Adam Thomas and Yonathan Habtemichael to help out. Some praise Aronofsky’s craft. Others love the performances. But not everyone is on the Black Swan train. There’s so much to unravel. Does Black Swan fit into the genre? Was the Academy love warranted? Does Nina survive the ending? So many interpretations, but only one way to find out! Give us a listen. Don’t fall into the orchestra pit to never be seen again!

Contact Us

We want to hear from you – the coolest, most gruesome fans:  leave us a message or leave a comment on the site or email the Decades of Horror 1990s And Beyond podcast hosts at thomasmariani@decadesofhorror.com or tweet Thomas @NotTheWhosTommy. Also, make sure to give us some love via iTunes reviews and ratings. Helps us get more notice along the way.

The intro and outro is “Suck City” by Black Math. Look for more of their music via Free Music Archive.

Next Episode

Saw Retrospective (2004 – 2010)

 

post

The Entity (1982) – Episode 71 Monster Movie Podcast

Join us this week as we revisit The Entity (1982) from director Sidney J. Furie and writer Frank De Felitta adapting the true tale of Carla Moran who was convinced she was being haunted and abused by a violent, unseen spirit. A shocker in its day, the film lives up to the hype providing scares, thrills and shocking horror. Sure, the ending is bent, but getting there is impressive.

“A Story So Shocking, So Threatening, It Will Frighten You Beyond All Imagination. The ultimate story of supernatural terror! “

The Black Saint (Decades of Horror: 1970s podcast) steps into the Eighties with Doc Rotten and very special guest host, award winning director Christopher G. Moore (Foodie, Disengaged) to discuss the disturbing and controversial film The Entity. Charles Berstein is recognized for his imposing, frightening score and Barbara Hershey delivers an Oscar-worthy performance.


Monster Movie Podcast 
Episode 71 – The Entity (1982) 
Subscribe – iTunes – Facebook

The Entity is an often overlooked haunted house picture due to a combination of its own subject matter and the arrival of the mega-hit juggernaut, Poltergeist. But this film deserves to be remembered and re-watched. Even after 30 years, the effects and the story remain terrifying and unbelievable. The directions, the cinematography and the acting is above par. But, damn, that ending nearly destroys everything. Check out The Black Saint, Christopher G. Moore and Doc Rotten’s discussion on this highly volatile film.

We want to hear from you, our valued listeners: click on the Send Voicemail link on the DocRotten.com site and leave us a message or leave a comment on the site or email the Monster Movie Podcast at podcast@docrotten.com.

Check out this episode!