post

The Simpsons Treehouse of Horror Retrospective (1990-2017) – Episode 29 – Decades of Horror 1990s And Beyond

“This is indeed a disturbing universe.” Maggie Simpson (James Earl Jones) gives us one of many great quotes the recite endlessly. The Simpsons Treehouse of Horror episodes are just a sliver of the legacy this titan of a show has left behind. With over 600 episodes in nearly 30 years of time, our favorite yellow-skinned cartoon family has seen a lot of things. Celebrity cameos, world-changing event & a gradual dip in quality. The works. Now, join Decades of Horror 1990s and Beyond for a journey through all of the anthology Halloween episodes that have aired from 1990 all the way to the most recent 28th entry as the October haunts season concludes!

Decades of Horror 1990s And Beyond
Episode 29 – The Simpsons Treehouse of Horror Retrospective (1990 – 2017)

The Simpsons Treehouse of Horror is has been an annual staple for America’s longest-running sitcom since it’s second season. Starting off with segments that adapt Edgar Allen Poe or parody Amityville HorrorThe Simpsons certainly has changed in the intervening years. The segments have grown more gruesome, the parodies more modern and the jokes… few and far between? I know. Someone saying The Simpsons has declined in quality on the internet. Shocker! Still, Simpsons THOH episodes always have something curious about them even at their absolute worst. The animation is usually quite elaborate, turning Homer, Marge, Bart, Lisa, Maggie & all our favorite Springfieldians into something off-kilter and Alf Clausen’s music was always an ethereal joy.

To talk about the good, the bad and the ugly of all this, Thomas Mariani has recruited three terrifying treehouse dwellers and fellow lifelong The Simpsons fans Yonathan Habtemichael, Kaycee Jarrard and Scott Johnson. All three describe their passionate love for the classic years before groaning (and in some cases, sticking up for) the modern years that are so derided. Simpsons THOH segments of old are praised for their consistent laughs, imagination, and cultural impact. More modern stories are… given a bit less praise. Yet, there’s still some love to go around for underrated gems and for the most peculiar episode: a Halloween Simpsons episode that is an anthology with no continuity?! Well, if you asked how that happened… a wizard did it. Happy Halloween Everybody… oh, it’s November 1st? D’OH!

Contact Us

We want to hear from you – the coolest, most gruesome fans:  leave us a message or leave a comment on the site or email the Decades of Horror 1990s And Beyond podcast hosts at thomasmariani@decadesofhorror.com or tweet Thomas @NotTheWhosTommy. Also, make sure to give us some love via iTunes reviews and ratings. Helps us get more notice along the way.

The intro and outro is “Suck City” by Black Math. Look for more of their music via Free Music Archive.

Next Episode

Batman Returns (1992)

 

 

post

The Cabin In the Woods (2012) – Episode 28 – Decades of Horror 1990s And Beyond

“It’s so strange. I’m actually rooting for this girl. She’s got so much heart and you think of all the pain and the… TEQUILA IS MY LADY! MY LADY! TEQUILA! FROM DARKNESS, THERE IS LIGHT!” Steve (Bradley Whitford) avoids guilt with alcohol. Just like every responsible adult! Cabin in the Woods is easily one of the best horror films of this decade. Hard to believe it was shelved for a year or so before being released. Playing on all the tropes of horror while celebrating what draws people to them, Cabin really is the ultimate horror film. Both in the awe-inspiring awesomeness sense and in the way that it feels like the final word on the genre. Make sure to sit back in your console chair and wait for the best horror climax of all time to unravel before your eyes… or ears.

Decades of Horror 1990s And Beyond
Episode 28 – The Cabin in the Woods (2012)

Cabin in the Woods came out at an interesting crossroads for the careers of many involved. It was shot before star Chris Hemsworth became known as Thor, put into theaters right before co-writer Joss Whedon’s The Avengers became one of the most successful films of all time and right before Drew Goddard became the Academy Award-nominated screenwriter behind The Martian. All of them came together in this one moment to make the perfect modern meta-horror. Cabin one-upped the Scream style self-aware slashers into a new galaxy all its own. Now every horror film feels like it’s being controlled by the likes of Steve and Gary (Richard Jenkins) pulling strings behind the scenes. If they can keep up with all the cubes underneath their office.

To contextualize everything about Cabin, Thomas brings aboard Shakyl Lambert, Doc Rotten and Christopher G. Moore to explore the offices below. Discussions are had about the impeccable cast, the meta-commentary on the horror genre and the massively entertaining yet nihilistic ending. The trio can barely contain their love for all the creative monsters, hilarious character moments and nudges to the rib cage Cabin goes through over its runtime. Plus we ask the truly important question; what is the line between Witches and Sexy Witches? Listen to find out!

Contact Us

We want to hear from you – the coolest, most gruesome fans:  leave us a message or leave a comment on the site or email the Decades of Horror 1990s And Beyond podcast hosts at thomasmariani@decadesofhorror.com or tweet Thomas @NotTheWhosTommy. Also, make sure to give us some love via iTunes reviews and ratings. Helps us get more notice along the way.

The intro and outro is “Suck City” by Black Math. Look for more of their music via Free Music Archive.

Next Episode

The Simpsons Treehouse of Horror Retrospective (1990-2017)

post

Saw Retrospective (2004-2010) – Episode 27 – Decades of Horror 1990s And Beyond

“Let the game begin.” Jigsaw aka John Kramer (Tobin Bell) is the master of ceremonies of his morality inspired death traps. Given it was the franchise that started the torture porn movement, Saw is often maligned as a lesser example of mainstream horror. The fetishistic emphasis on death and soap opera antics only go so far, especially for a franchise with seven installments. Yet, there’s somehow a new entry coming to theaters. So what better way to celebrate than by looking back at the first seven entries? Listen or not, make your choice. But seriously… please listen.

Decades of Horror 1990s And Beyond
Episode 27 – Saw Retrospective (2004 – 2010)

Saw is an indie marvel. Made for a mere $1 million, the film grossed over 100 times that much. It tapped into an uncertain zeitgeist of troubling times. America was just starting the Iraq War. Torture was a common thread in news. Our world was still in the throes of confusion and distrust from 9/11. A world that sought escape in the form of a madman designing traps to test people’s moral gumption. Saw continued this trend throughout the 2000s, each installment introducing new bits of continuity and trying to top one another with gory traps. The franchise started off the careers of modern horror masters like James Wan, Leigh Whannell, Darren Lynn Bousman and Marcus Dunstan. Saw was really the only mainstream horror franchise in theaters for half a decade… until it wasn’t.

To dissect where everything went wrong, Thomas Mariani brings in a few familiar voices. Adam Thomas, Shakyl Lambert and Ryan Corderman are in for the long haul as all four hosts discuss all seven Saw films in this extended episode. The quartet examines each film in gruesome detail, praising consistent qualities like Tobin Bell while damning the soap opera continuity that gets tedious. There’s praise thrown around for a few of the earlier entries and even a bit of love that trickles down into the latter parts of the series. But there’s plenty of baffling elements of Saw for our heroes to question. How did Jigsaw get more elaborate traps put together? Why did we need to know more through endless flashbacks? Who thought Costas Mandylor was a good idea? All this and more tear the group apart as they try to understand what made people see Saw time and time again.

Contact Us

We want to hear from you – the coolest, most gruesome fans:  leave us a message or leave a comment on the site or email the Decades of Horror 1990s And Beyond podcast hosts at thomasmariani@decadesofhorror.com or tweet Thomas @NotTheWhosTommy. Also, make sure to give us some love via iTunes reviews and ratings. Helps us get more notice along the way.

The intro and outro is “Suck City” by Black Math. Look for more of their music via Free Music Archive.

Next Episode

Cabin in the Woods (2012)

 

 

post

Black Swan (2010) – Episode 26 – Decades of Horror 1990s and Beyond

“I felt it. Perfect. It was perfect.” Nina (Natalie Portman) realizes her full potential as she performs Swan Lake. But at what cost? The sacrifice of an artist can often be horrific. A true nightmare to need to live up to your craft. Yet, it’s something true artists do on a regular basis. Even if it means losing their sanity, their friends and their own sense of identity. All things Nina is slowly lost in Black Swan. Can Thomas and his own troupe of podcasts keep themselves together? Or will they sink into madness along with Nina? Find out as Decades of Horror 1990s and Beyond steps further into the modern age for the October haunts season!

Decades of Horror 1990s And Beyond
Episode 26 – Black Swan (2010)

Black Swan was released in December of 2010 to massive critical raves. Fresh off a triumphant critical sweep with The Wrestler, Darren Aronofsky took his first full step into the horror genre and got plenty of Oscar buzz for it. Rare for the genre, but not out of bounds for Aronofsky. Afterall, how horrific is the drug themed drama of Requiem for a Dream? Yet, Black Swan is much more firmly planted in the genre, even it it’s within a more grounded prism. After all, Nina is losing her sense of identity and seeing herself as a mutation of beauty. An artist sacrificing her humanity to become the swan she was born to be. Whether it be at the hands of her mother (Barbara Hershey), her teacher (Vincent Cassel) or her competition (Mila Kunis), Nina is losing what it means to be a “little princess.” Will she end up a has been like Beth (Winona Ryder) or will she transform into a fierce formidable foe that swims along the lake for another night?

To answer all of those questions, Thomas has returning guests Adam Thomas and Yonathan Habtemichael to help out. Some praise Aronofsky’s craft. Others love the performances. But not everyone is on the Black Swan train. There’s so much to unravel. Does Black Swan fit into the genre? Was the Academy love warranted? Does Nina survive the ending? So many interpretations, but only one way to find out! Give us a listen. Don’t fall into the orchestra pit to never be seen again!

Contact Us

We want to hear from you – the coolest, most gruesome fans:  leave us a message or leave a comment on the site or email the Decades of Horror 1990s And Beyond podcast hosts at thomasmariani@decadesofhorror.com or tweet Thomas @NotTheWhosTommy. Also, make sure to give us some love via iTunes reviews and ratings. Helps us get more notice along the way.

The intro and outro is “Suck City” by Black Math. Look for more of their music via Free Music Archive.

Next Episode

Saw Retrospective (2004 – 2010)

 

post

Ginger Snaps (2000) – Episode 25 – Decades of Horror 1990s And Beyond!

“A girl can only be a slut, a bitch, a tease, or the virgin next door.” Ginger (Katherine Isabelle) unveils the societal norms ladies are stuck with. It’s something covered extensively in Ginger Snaps, where the lines between high school gender dynamics and werewolf carnage are thin. Both are an important step in life, one that mirrors our own step Beyond with this episode. Well, except for the copious amounts of blood in either context. Anyway, it’s time to ring in the October haunts lineup of new millennium chills!

Decades of Horror 1990s And Beyond
Episode 25 – Ginger Snaps (2000)

Ginger and her sister Bridgette (Emily Perkins) are burgeoning young women. After a delay in puberty, they’re finally beginning to blossom. Both are taking it pretty hard. The boys at school either leer or make fun. Their mother (Mimi Rogers) keeps expecting them to shed their goth exteriors. Dead dogs start showing up mauled to death. All the stuff health class videoes told us about. Ginger Snaps is a rare breed of werewolf film. It’s one of the few good ones and it uses a relatable theme of adolescence to make the transformation mean something. Ginger’s turns scare her sister, making her wonder whether a tender hug will result in a throat ripping. It’s an early example of the great horror we’d be getting in the new millennium.

Well, that’s what most of us think at least. Joining Thomas Mariani to dive into this new age are a familiar voice and a new one. Returning guest Caitlin Turner gives an honest female perspective on Ginger Snaps while new voice Shadow… has a different take. Recorded live in their hotel room while attending Dragon Con, this trio has a lot to say about growth, development, and werewolves.  Ginger Snaps takes the show into interesting directions. Plenty of thoughts about development, male to female relationships and what those hairs on our back are for. It’s as educational as it is terrifying. Welcome to womanhood, indeed.

Contact Us

We want to hear from you – the coolest, most gruesome fans:  leave us a message or leave a comment on the site or email the Decades of Horror 1990s And Beyond podcast hosts at thomasmariani@decadesofhorror.com or tweet Thomas @NotTheWhosTommy. Also, make sure to give us some love via iTunes reviews and ratings. Helps us get more notice along the way.

The intro and outro is “Suck City” by Black Math. Look for more of their music via Free Music Archive.

Next Episode

Black Swan (2010)

post

The Sixth Sense (1999) – Episode 24 – Decades of Horror 1990s

“I see dead people.” – Cole (Haley Joel Osment) reveals his secret to Dr. Malcolm (Bruce Willis) in the line that launched a thousand pop culture references. M. Night Shyamalan’s The Sixth Sense was a phenomenon upon release in August of 1999. It made M. Night the new talk of Hollywood, being nominated for multiple Oscars and giving the twist ending a whole new revitalized image. However, as M. Night’s career has gone through a real roller coaster experience over the past near 20 years, one wonders how well this film holds up. Luckily, Decades of Horror 1990s is here to investigate if The Sixth Sense still packs a punch or if there’s a twist in its legacy.

Decades of Horror 1990s
Episode 24 – The Sixth Sense (1999)

Th Sixth Sense is mainly remembered for the influential twist. Obviously, it took the world by storm and has been parodied countless times. Yet, there’s more going on here. The central theme of lacking communication plagues all our characters. Malcolm’s wife Anna (Olivia Williams) is distant from him. Cole has to struggle with hiding his secret from his overworked mother Lynn (Toni Collette). Even the ghosts are unable to properly communicate with anyone other than Cole, who is at the short end of their confused and sometimes violent outbursts that scare the hell out of them. It’s a subtle yet beautiful examination of regret, loss, and connection that resonates between these characters, proving that horror can make us cry genuine tears of sadness in between fits of terror.

Well, at least for some of us. For this episode, Thomas Mariani enlists the help of a few others who can communicate with the undead, Doc Rotten and Caitlin Turner. Our trio harmoniously agrees that drama at the heart of The Sixth Sense is still palpable. Praise is spread for the entire cast, though Toni Collette gets the lion’s share of the praise for grounding Haley Joel Osment from becoming a full-blown M. Night parody of a character we’re used to. However, there’s plenty of debate as to whether the ghosts are malicious and how much the film leans on the twist to support its storytelling. It’s a…  “spirited” discussion to say the least. Plus, there’s a big announcement about a major change in the podcast to stay tuned for!

Contact Us

We want to hear from you – the coolest, most gruesome fans:  leave us a message or leave a comment on the site or email the Decades of Horror 1990s podcast hosts at thomasmariani@decadesofhorror.com or tweet Thomas @NotTheWhosTommy. Also, make sure to give us some love via iTunes reviews and ratings. Helps us get more notice along the way.

The intro and outro is “Suck City” by Black Math. Look for more of their music via Free Music Archive.

Next Episode

A Big Change! Listen to Find Out!

 

post

Stephen King’s It (1990) – Episode 23 – Decades of Horror 1990s

“Oh yes… they float, Georgie. They float. And when you’re down here with me… YOU’LL FLOAT TOO!” Pennywise (Tim Curry) – also known as It – sums up his MO as he kills young Georgie. This interdimensional being is out to prey on the local children of Derry, Maine. So naturally, the only people to stop It are a group of children. Who are all connected by… fate? And defeat this being through… belief? But not until It comes back 23 years later when they’re all less interesting characters. There’s a lot to talk about here. Literally over 3 hours worth. Luckily, Decades of Horror 1990s will only take an hour to float on through your eardrums!

Decades of Horror 1990s
Episode 23 – Stephen King’s It (1990)

Following 1979’s Salem’s LotIt was the mini-series that kicked off a major trend for the era. In the fall out of this two part story, we got Tommyknockers and The Langoliers. There was nothing hotter to do back in the day then trying to cram thousands of pages into a few hours worth of time. The results are… mixed, to say the least. The children being terrorized are pretty compelling, including young turns from Ginger Snaps‘ Emily Perkins and Robot Chicken‘s Seth Green. Then their adult versions come about – played by familiar TV actors – who… aren’t as compelling. To say the least. You may be dreading any of the moments where a kid or Pennywise aren’t on the screen.

To dissect all three hours of It, Thomas brings aboard Christopher G. Moore, Dave Dreher, and Adam Thomas. The four praise Tim Curry’s iconic performance as Pennywise and are desperate to find something else that would be considered worth watching. There’s plenty to dig at, from the Stephen King cliches to the infamous ending. Of course, the optimism comes in where the upcoming It film can diverge from this adaptation. Hopefully, there’ll be fewer questions of whether Prince Albert is in a can and if he can be let out. WAH HA! WAH HA! WAH HA!

Contact Us

We want to hear from you – the coolest, most gruesome fans:  leave us a message or leave a comment on the site or email the Decades of Horror 1990s podcast hosts at thomasmariani@decadesofhorror.com or tweet Thomas @NotTheWhosTommy. Also, make sure to give us some love via iTunes reviews and ratings. Helps us get more notice along the way.

The intro and outro is “Suck City” by Black Math. Look for more of their music via Free Music Archive.

Next Episode

The Sixth Sense (1999)

post

Terminator 2: Judgement Day (1991) – Episode 22 – Decades of Horror 1990s

“Hasta La Vista, Baby.” What?! Terminator 2 on a horror podcast? What kind of insanity is this? If you’re asking those questions, it’s only fair. Terminator 2 is far more beloved as a sci-fi actioner than for its horror thrills. Yet, looking at the T-1000 (Robert Patrick) and his cold pursuit of John Connor (Edward Furlong), it’s pretty horrific. Kind of like a slasher film only with a sci-fi twist. He’s an unstoppable killing machine out to destroy. The only thing that may stop him is the T-800 (Arnold Schwarzenegger). That is, if Sarah Connor (Linda Hamilton) will allow the visage that killed John’s father to help out. It’s a story of survival, family and the run that made Tom Cruise famous.

Decades of Horror 1990s
Episode 22 – Terminator 2: Judgement Day (1991)

Terminator 2 is inarguably the peak of writer/director James Cameron. It’s an actioner full of set pieces most action films could only dream to have as their climactic finales. A sequel that ups the ante of the original Terminator‘s scrappy efficient thrills. We get full role reversals as the T-800 saves the day. Having to contend with Sarah Connor’s doubt and John’s affection while trying to defeat the sleek new model of the T-1000. And boy is he sleek. Winner of four Academy Awards, Terminator 2 revolutionized computer generated effects. Yet, much of what made such effects work is helped by the presence of practical effects alongside them. Afterall, would the T-1000’s helicopter crash be nearly as good without an actual helicopter being crushed on the road? Probably not.

To help cover all the time paradoxes and high pitched noises from Edward Furlong, Thomas sends two perfect robot co-hosts back in time to cover Terminator 2; Christopher G. Moore and Shakyl Lambert. Together, these three ask the important questions. What is more terrifying: Robert Patrick’s run or Danny Cooksey’s mullet? Would Denzel Washington have been a better Miles Dyson? Will we see a nuclear holocaust as terrifying as the opening scene in our lifetime? All these and more are answered as Decades of Horror the 1990s finds out exactly why you cry.

Contact Us

We want to hear from you – the coolest, most gruesome fans:  leave us a message or leave a comment on the site or email the Decades of Horror 1990s podcast hosts at thomasmariani@decadesofhorror.com or tweet Thomas @NotTheWhosTommy. Also, make sure to give us some love via iTunes reviews and ratings. Helps us get more notice along the way.

If you’re in the Atlanta area during Labor Day Weekend (Sept 1-4), make sure to visit us at Dragon Con Horror Track!

The intro and outro is “Suck City” by Black Math. Look for more of their music via Free Music Archive.

Next Episode

Stephen King’s It (1990)

 

post

The Dark Half (1993) – Episode 21 – Decades of Horror 1990s

“Don’t fuck with me cock-knocker.” George Stark (Timothy Hutton) has a way with words. Much like his doppelganger Thad Beaumont (also Hutton). It’s a game of duality in The Dark Half, a film about a pseudonym brought to life. As well as addiction, paranoia, and fame. Did we mention this is based on a Stephen King book? Bet you would never have guessed. There are plenty of allusions to King’s work and time as an alcoholic writer adapted from the book. However, the question really is how the late George A. Romero adapted the material. Is it on the lighter half of that spectrum… or the darker one?

Decades of Horror 1990s
Episode 21 – The Dark Half (1993)

Dark Half is clearly very autobiographical for author Stephen King. A man known for his horror writing. Even under a pseudonym of Richard Bachmann, the man was legendary. But evidently, there’s a dark side with riding under such a name. One that rears it’s ugly head with Thad Beaumont and his alter ego George Stark clash over. Thad just wants to write to support his family without interruption. While George is a crazed lunatic out to use the killings to raise up his name. It’s a battle of wills and madness as people show up dead and Thad is a suspect because… he’s blackmailed by someone trying to reveal his pseudonym? What kind of stupid premise is this?

A premise the 90s crew are ready to go over. Joining Thomas for The Dark Half are Adam Thomas, Dave Dreher and for the first time Joey Fittos! The three discuss everything to do with The Dark Half as well as half a dozen other movies we trail off about. Adam praises George A. Romero for his competent direction. Dave and Adam have issues with how this adapts aspects of the book. Joey realizes that this isn’t a TV movie. Thomas just praises it for not being Bruiser. It’s a rather flighty discussion that at least reveals one thing: the truth of Theodor Geisel’s secret blackmail scandal!

Contact Us

We want to hear from you – the coolest, most gruesome fans:  leave us a message or leave a comment on the site or email the Decades of Horror 1990s podcast hosts at thomasmariani@decadesofhorror.com or tweet Thomas @NotTheWhosTommy. Also, make sure to give us some love via iTunes reviews and ratings. Helps us get more notice along the way.

The intro and outro is “Suck City” by Black Math. Look for more of their music via Free Music Archive.

Next Episode

Terminator 2: Judgement Day (1991)

 

post

Buffy The Vampire Slayer (1992) – Episode 20 – Decades of Horror 1990s

“OOH! HEE! HAA! EEEEH!” Amilyn (Paul Reubens) has some pretty elongated death rows. All thanks to the titular vampire killer Buffy The Vampire Slayer (Kristy Swanson), who has to stake vamps ON A SCHOOL NIGHT?! Yes, instead of attending the senior dance, Buffy must contend with the dark forces of blood sucking evil. With the help of Merrick (Donald Sutherland), a Watcher who is sent to help train the young girl in the ways of destroying evil. Said evil includes Amilyn’s master Lothos (Rutger Hauer), a vampire out to destroy all Slayers. How can young Buffy juggle her new responsibilities and still have time to be with the young hunk Pike (Luke Perry)? Decades of Horror is here to fill you in!

Decades of Horror 1990s
Episode 20 – Buffy (1992)

Buffy is a bit of a sore spot for writer Joss Whedon. After getting his start writing sitcoms, Whedon’s script about a high school cheerleader fighting vampires was picked up by 20th Century Fox. Unfortunately, he was not a fan of the final result. Claiming it took his dark script and turned it into too fluffy a comedy, Whedon went on to turn sequelize his script into a TV show that started in 1997. That show became a massive cult success, creating the cult fame that would lead to Whedon getting gigs making Avengers movies. Yet, seeds of that style are sewed into the fabric of this early work. For example, the valley girl talk would segue into Buffy Speak, the awkward vernacular everyone in Whedon’s writing talks in.

Here to talk all things Buffy in their own vernacular are Thomas and his own Scooby Gang Jordan Cobb and Caitlin Turner. All being fans of the TV show, rewatching the movie is a bit rough. There are questions about many changes. Why is Buffy‘s mom so distant? What is up with the lazy wardrobe? Did Donald Sutherland give a single damn about anything? Still, there’s plenty of things to praise, mainly surprising turns from Kristy Swanson & Luke Perry and the comedic highlights of Paul Reubens and Stephen Root. Of course, the show and its spin off Angel are also discussed in detail as the three mention their favorite episodes, biggest tear jerking moments and reasonings why Joss Whedon is so damned beloved as a creator. Don’t worry. They get back to the movie… eventually.

Contact Us

We want to hear from you – the coolest, most gruesome fans:  leave us a message or leave a comment on the site or email the Decades of Horror 1990s podcast hosts at thomasmariani@decadesofhorror.com or tweet Thomas @NotTheWhosTommy. Also, make sure to give us some love via iTunes reviews and ratings. Helps us get more notice along the way.

The intro and outro is “Suck City” by Black Math. Look for more of their music via Free Music Archive.

Next Episode

The Dark Half (1993)