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The Others (2001) – Episode 40 – Decades of Horror 1990s And Beyond

“Now children, are you sitting comfortably? Then I’ll begin… ” Grace (Nicole Kidman) has a story to share with us. This story is of The Others, in which Grace and her two children Nicholas and Anne (James Bently and Alakina Mann). Living in their giant mansion hiding from the sun. But perhaps there are more presences than meets the eye. Spooky frights are all about in Alejandro Amenábar’s The Others and Decades of Horror 1990s & Beyond is here to talk about it!

Decades of Horror 1990s And Beyond
Episode 40 – The Others (2001)

In the wake of The Sixth Sense (previously covered on the show), The Others handed us another iconic twist ending on a platter and was extremely successful as a result. Immaculate production design, gorgeous cinematography and an emotional character based story that still hooks people in to this day. This and Moulin Rouge made for a banner year for Nicole Kidman, who delivers a beautifully tragic turn that keeps you on your toes.

To discuss all of this, Thomas Mariani brings along Caitlin Turner, Adam Thomas and Sam Brutuxan! The Others brings out the emotions in all of them. Thomas admits it’s one of the few horror films to make him cry. Caitlin admires the elaborate set design. Sam’s mind is still blown by how perfectly constructed the twist is. Adam is inspired by Christopher Eccleston to make a Malekith fan page. It’s a night of inspiration and awe as these four dissect one of the best horror films of the modern era.

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We want to hear from you – the coolest, most gruesome fans:  leave us a message or leave a comment on the site or email the Decades of Horror 1990s And Beyond podcast hosts at thomasmariani@decadesofhorror.com or tweet Thomas @NotTheWhosTommy. Also, make sure to give us some love via iTunes reviews and ratings. Helps us get more notice along the way.

The intro and outro is “Suck City” by Black Math. Look for more of their music via Free Music Archive.

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Disney Channel Original Horror Movies Retrospective

 

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Phase IV (1974) – Episode 72 – Decades of Horror 1970s

“The Day The Earth Was Turned Into A Cemetery!” the tagline for Phase IV promises a horror film the heady, occasionally trippy, sci-fi film cannot live up to. Yet, the film succeeds in establishing dread and exposing mankind’s fragile relationship with nature and the planet. Join your faithful Grue Crew – Doc Rotten, Bill Mulligan, and Jeff Mohr – as they face an attack of killer ants who burrow into their fears.

Decades of Horror 1970s
Episode 72 – Phase IV (1974)

In the early Seventies, every studio had their Sci-Fi epic, a version of their own 2001: A Space Odyssey. And Paramount wanted one too. What they got was Saul Bass’s horror/sci-fi oddity Phase IV. Bass, better known for creating memorable title sequences for films such as Psycho, North by Northwest, and It’s a Mad Mad Mad Mad World, brings a distinct artist’s touch to the film giving it a heady, trippy aesthetic that makes the film stand out from the crowd. Sadly, the film did not connect with 1974 audiences, but the film has gained a cult following.  The cast includes Nigel Davenport, Michael Murphy, and Lynne Frederick as they face an army of intelligent ants of various kinds uniting to take over humanity.

Having never seen the film, Doc Rotten was able to finally catch Phase IV at a theatrical screening at the FantasticRealm Film Series. Having listened to The Black Saint and Bill Mulligan champion the film episode after episode, this was a must, as was including it on the Decades of Horror schedule. Now he can join Bill and Jeff Mohr in discussing the film’s use of “nature” style film to chronicle the ants’ attack on the desert community, it’s distinctive set-design, and much of the movie’s haunting imagery. The slow pace of the film builds towards a chilling and provocative conclusion that only Saul Bass could provide.

We want to hear from you – the coolest, grooviest fans:  leave us a message or leave a comment on the site or email the Decades of Horror 1970s podcast hosts at docrotten@decadesofhorror.com.

 

 

 

 

 

 

 

 

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In the Mouth of Madness (1995) – Episode 39 – Decades of Horror 1990s and Beyond

“Do you read Sutter Cane?” It’s the question on everyone’s lips. Well, everyone except John Trent (Sam Neill), an insurance investigator out to find the truth. Always has the upper hand on any situation, including the disappearance of mmega-successfulhorror author Sutter Cane (Jürgen Prochnow). Of course, the world of Cane has so much more to reveal to Trent. Sights that may just make his head explode into a million pieces… or just wander in an endless existence. Whatever is the will of the Elder Gods behind it all. Join us as we sink further In the Mouth of Madness for Decades of Horror 1990s And Beyond!

Decades of Horror 1990s And Beyond
Episode 39 – In the Mouth of Madness (1995)

In the Mouth of Madness was quite the departure for John Carpenter. Coming of the heels of the disastrous turn to comedy that was Memoirs of the Invisible Man, this Lovecraftian dip into unimaginable horror wasn’t quite what usually fit the image of Carpenter’s filmography. Then again, maybe it did? The mysterious terror of Halloween‘s “The Shape”, the cosmic unknown realms of Prince of Darkness and the underground society of those controlling us in They Live have Lovecraftian themes. In the Mouth of Madness just made it all the more literal with direct references to the works of HP Lovecraft and some demonic Eldrich Gods added into the mix.

To comment on all of this madness, Thomas Mariani inlists Caitlin Turner, Adam Thomas and Paul Cardullo to talk In the Mouth of Madness. It’s a Lovecraftian Lovefest as the four all praise this as one of Carpenter’s more underrated works. Paul praises the lack of what we see from the monsters. Adam considers Sam Neill’s performance to be only second to Jurassic Park. Caitlin praises the ability to adapt Lovecraft without being a direct adaptation. Thomas is just staring deep into Sutter Cane’s blue dueling pupils. Visit Caitlin’s book blog mentioned in the show here and about The Hateful Life and Spiteful Death of The Man who Was Vigo the Carpathian here.

Contact Us

We want to hear from you – the coolest, most gruesome fans:  leave us a message or leave a comment on the site or email the Decades of Horror 1990s And Beyond podcast hosts at thomasmariani@decadesofhorror.com or tweet Thomas @NotTheWhosTommy. Also, make sure to give us some love via iTunes reviews and ratings. Helps us get more notice along the way.

The intro and outro is “Suck City” by Black Math. Look for more of their music via Free Music Archive.

Next Episode

The Others (2001)

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Army of Darkness (1993) – Episode 38 – Decades of Horror 1990s And Beyond

“Alright you primitive screwheads, listen up! You see this? This… is my BOOMSTICK!” One of many unforgettable one liners that Ash (Bruce Campbell) spouts in Army of Darkness. The third in writer/director Sam Raimi’s Evil Dead trilogy is the cult favorite. For many, it’s the first film in the franchise they saw. It gave us the most recurring pop culture variation on Ash as a character. The strapping hero with a quippy zinger and a chainsaw hand at the ready. Now, with Ash vs Evil Dead Season 3 in full swing, it’s only natural to take a look back at the film that makes many a fan scream “Hail to the King, Baby.”

Decades of Horror 1990s And Beyond
Episode 38 – Army of Darkness (1993)

After the first Evil Dead was made for peanuts and Evil Dead II raised the production up to a modest low budget, Army of Darkness is a true studio blockbuster. Which is pretty odd considering the meager cult status of the first two. Yet, Universal and Dino De Laurentiis allowed Sam Raimi to go hog wild. And hog wild he did go. Pit demons, man eating books and an army of evil skeletons. All while having B movie sharp chin Campbell at the center. Between the surreal imagery and cartoonish slapstick, Army of Darkness is either your favorite of the trilogy or the one where it goes too far.

To debate this very topic, Thomas Mariani counts on the steel of Chad Hunt, Christopher G. Moore and Sam Brutuxan to break it down. Sam initially started with Army of Darkness and fell in love with the over the top comedy of the series. Christopher appreciated the darker roots of the original two and felt Army of Darkness went off the rails. Chad and Thomas just appreciate the weird Sam Raimi fly by the seat of your pants with the whole trilogy. The four ask the important questions about Army of Darkness. How did Ash get so buff within the span of a week in which the trilogy takes place? Does Ash vs Evil Dead carry on the legacy of the franchise well? Do skeletons have sex drives? All the answers are a click away!

Contact Us

We want to hear from you – the coolest, most gruesome fans:  leave us a message or leave a comment on the site or email the Decades of Horror 1990s And Beyond podcast hosts at thomasmariani@decadesofhorror.com or tweet Thomas @NotTheWhosTommy. Also, make sure to give us some love via iTunes reviews and ratings. Helps us get more notice along the way.

The intro and outro is “Suck City” by Black Math. Look for more of their music via Free Music Archive.

Next Episode

In The Mouth of Madness (1995)

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Get Out (2017) – Episode 37 – Decades of Horror 1990s And Beyond

“I want your eye, man. I want those things you see through.” Jim Hudson (Stephen Root) reveals the true purpose of injecting himself into Chris Washington’s (Daniel Kaluuya) brain. Get Out was the movie of 2017. Released nearly a year ago, it managed to capture the paranoia, oppressively bleak and gradually bizarre facets the 10 months that would follow. It lasted so long in the popular consciousness that it earned writer/director Jordan Peele multiple Academy Award™ nominations. Yet, why exactly has Get Out maintained just a hold over the cultural zeitgeist? To examine this, Thomas enlists the help of a few friends who may just relate to the struggles Chris has. Luckily, they haven’t gone through the Coagula transplant… or have they?!

Decades of Horror 1990s And Beyond
Episode 37 – Get Out (2017)

Get Out is a story of simmering racial tension. Jordan Peele decided to go with not an overtly racist family of white folks as the antagonist. No, instead Chris must go up against the seemingly well-meaning if an unintentionally cringy family of his girlfriend Rose (Allison Williams). While the seemingly harmless Dean (Bradley Whitford) and Missy Armitage (Catherine Keener) are very inviting, something sinister lies beneath their smiles. Especially with the unusually chipper house staff of Georgina (Betty Gabriel) and Walter (Marcus Henderson) who make Chris raise a few eyebrows. Hopefully, he can raise his legs quick enough to Get Out before things get too crazy.

Even though Thomas just discussed Get Out on a Horror News Radio episode a little under a year ago, he just had to get a new one out. Not just because of the Oscar nominations or February being Black History Month. No, the big reason was simply this; there weren’t any black people on a Gruesome Magazine podcast discussing the film yet. So, Thomas enlists familiar voices Yonathan Habtemichael and Shakyl Lambert as well as newcomer Torrey Depina to discuss Get Out as a film that represents the Black experience. Yes, even a horror film like Get Out speaks to race relations, cultural fetishization, and systemic oppression. But don’t worry. There’s plenty of silly talk about Denzel Washington, wrestling and horror cliches to lighten the mood.

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We want to hear from you – the coolest, most gruesome fans:  leave us a message or leave a comment on the site or email the Decades of Horror 1990s And Beyond podcast hosts at thomasmariani@decadesofhorror.com or tweet Thomas @NotTheWhosTommy. Also, make sure to give us some love via iTunes reviews and ratings. Helps us get more notice along the way.

The intro and outro is “Suck City” by Black Math. Look for more of their music via Free Music Archive.

Next Episode

Army Of Darkness (1993)

 

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Misery (1990) – Episode 36 – Decades of Horror 1990s and Beyond

“He didn’t get out of the cock-a-doodie car!” Annie Wilkes (Kathy Bates) won’t be taking any guff from her favorite author Paul Sheldon (James Caan) about cliffhangers. Which isn’t ideal for Paul. At the mercy of his number one fan who’s abusive and pretty much off her rocker. Paul’s in pain and needs to get out real quick. One could say his situation leaves him in… Misery. Based on the acclaimed novel from Stephen King, Misery helped legitimize the horror genre in the 90s with an Academy Award-winning performance. However, how does it hold up to this day? The answers are contained in Decades of Horror 1990s and Beyond!

Decades of Horror 1990s And Beyond
Episode 36 – Misery (1990)

Misery was based on a novel that writer Stephen King said was a metaphor for his substance abuse. Yet, the film adaptation feels more like a meditation on fandom. Kathy Bates’ Oscar-winning turn as Annie Wilkes feels like a meditation on the type of fans we see on a daily basis on the internet. After saving Paul from a blizzard, she forces him to essentially write her fan fiction. All in order to bring back Paul’s titular character from the dead. It’s a brutal case of holding a twist on the captive audience. Rather, it’s the captive writer providing a story for is captor.

To break down all of this, Thomas Mariani enlists Dave Dreher, Scott Johnson, and Kaycee Jarrard. Resident Stephen King expert Dave describes how well the novel embodied everything he imagined while reading the novel. Kaycee notes how James Caan’s performance really is one that needed to be played by a supporting actor. Scott notes just how scarily accurate this ends up being to modern fan culture. Thomas notes how this is part of the damn impressive first decade of Rob Reiner’s career. Truly, they know that Misery loves company.

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We want to hear from you – the coolest, most gruesome fans:  leave us a message or leave a comment on the site or email the Decades of Horror 1990s And Beyond podcast hosts at thomasmariani@decadesofhorror.com or tweet Thomas @NotTheWhosTommy. Also, make sure to give us some love via iTunes reviews and ratings. Helps us get more notice along the way.

The intro and outro is “Suck City” by Black Math. Look for more of their music via Free Music Archive.

Next Episode

Get Out (2017)

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The Mutations (1974) – Episode 68 – Decades of Horror 1970s

“It’s not nice to fool with Mother Nature…… it can be HORRIFYING!” the overzealous tagline for The Mutations (1974), aka The Freakmaker, promises a monster film for the ages. To be fair, some stills from the film of the main “Venus-fly-trap” monster may back up that claim. However, most of the Grue Crew may beg to differ. And, then, there’s Bill. Doc Rotten and Jeff Mohr are joined by Chad Hunt and Bill Mulligan to discuss this nearly forgotten British gem. Special guest host Adam Thomas settles in to help put Donald Pleasence in his place.

Decades of Horror 1970s
Episode 68 – The Mutations (1974)

Learning that Vincent Price was the first actor cast as Professor Nolter in JackCardiff’s The Mutations puts a lot of that role into perspective. With Donald Pleasence (Halloween) settling into the part in Price’s place leaves all the necessary scene chewing off the cuff. But, hey, we still love as much Donald Pleasence as we can get. The fan-favorite fourth Doctor, Tom Baker (The Vault of Horror, Doctor Who) plays Lynch, Nolter’s “henchmen” who continually gathers the mad scientist victims for his evil experiments…all in hopes that the good doctor will cure him of his deformities. In a subplot. Lynch is also the leader of a troop of “freaks” (as they are called in the film) who entertain patrons at a local amusement sideshow. Enter in a group of Nolter’s students who get in the way of the madman’s plot, including Julie Ege (The Legend of the Seven Golden Vampires) as Hedi. Before you know it, Hedi’s friend Tony (Scott Anthony) is kidnapped by Lynch and turned into a horrific monster by Nolter. Chaos ensues. Hurray!

Both Doc and Bill fondly remember reading about The Mutations in Famous Monsters in the Seventies but were unable to catch the film until much later. Bill a decade or so ago, but Doc only this week for this show. Both were eager to watch the film to discuss here on Decades of Horror along with Chad and guest host Adam Thomas. However, while the finale is fun with the monster finally set loose and on the rampage, the plot meanders through each of its loosely connected subplots. Bill still champions the film while Adam curses Doc’s name. Oh, dear. There’s plenty to discuss, speculate, demonize, and enjoy with The Mutations and the Grue Crew cover it all.

We want to hear from you – the coolest, grooviest fans:  leave us a message or leave a comment on the site or email the Decades of Horror 1970s podcast hosts at docrotten@decadesofhorror.com.

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Man Bites Dog (1993) – Episode 35 – Decades of Horror 1990s and Beyond

“Cinema! CINEMA!” Ben (Benoit Poelvoorde) celebrates his place in cinematic history to the empty buildings outside. Of course, it’s merely an echo chamber for his own inflated ego. An ego he’s bound to feed with continuous bouts of homicide. And it’s all captured in Man Bites Dog, the French/Belgian mockumentary that’s been crucial to the found footage and horror genres in general in the quarter of a century since its release. Decades of Horror 1990s and Beyond goes classy with a film about human ugliness, urban decay and the line between filmmaker & subject. Still, there’s plenty of gore to be had. Ça semble excitant!

Decades of Horror 1990s And Beyond
Episode 35 – Man Bites Dog (1993)

Man Bites Dog is a challenging experience. We follow serial killer Ben as documentarians Remy and Andre (played by Poelvoorde’s co-writers/directors Remy Belavaux and Andre Bonzel) film his exploits. Right from the start, Ben is killing innocent men and women without much remorse. It’s how he makes ends meet. Kill a postman. Dump a body over a bridge. Invade an old person’s house to find their stashed away money. As any professional murderer would do. Yet, he’s not a discrete assassin without humanity. He’s got a girlfriend and family he loves as well as a personable charisma that engages the audience. Which makes the horror all the more disturbing and the actions of Remy and Andre being seduced sadly relatable.

To talk about the complex aspects of Man Bites Dog, Thomas brings on two new voices to the show. One is the founder of FoundFootageCritic.com Michael Steinberg. The other is video essayist Shannon Strucci of StrucciMovies. Michael educates the group about the history of found footage and why Man Bites Dog is a crucial early example. Shannon admits her complete adoration for the confrontational daring on display. Thomas rangles all this together by keeping the influences made and the homages that came later. This is more of a thinking man’s episode as we dissect the Criterion Collection entry for all the disturbing truths in unveils about humanity in glorious black and white.

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We want to hear from you – the coolest, most gruesome fans:  leave us a message or leave a comment on the site or email the Decades of Horror 1990s And Beyond podcast hosts at thomasmariani@decadesofhorror.com or tweet Thomas @NotTheWhosTommy. Also, make sure to give us some love via iTunes reviews and ratings. Helps us get more notice along the way.

The intro and outro is “Suck City” by Black Math. Look for more of their music via Free Music Archive.

Next Episode

Misery (1990)

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[Podcast] Frightmare (1974) – Episode 67 – Decades of Horror 1970s

“What terrifying craving made her kill… and kill… and kill…” the intriguing tagline for Frightmare (1974), aka Cover Up, provides just a hint of what Dorothy Yeates (Sheila Kieth) is up to when her husband Edmund (Rubert Davies) isn’t looking. And what does this mean for their children, Jackie (Deborah Fairfax) and Debbie (Kim Butcher), and their eating habits? Perhaps they’re chips off the old butcher block…? Eh? Eh? Doc Rotten and Jeff Mohr are joined by Chad Hunt and Bill Mulligan to discuss this nearly forgotten British gem.

Decades of Horror 1970s
Episode 67 – Frightmare (1974)

The film is from director Pete Walker who would give us similar intriguing genre movies House of the Whipcord, Schizo, and House of Long Shadows. The latter film features one of the last combinations of horror icons Vincent Price, Christopher Lee, Peter Cushing, and John Carradine. Pete Walker’s muse, Sheila Keith, would appear in most of them. In Frightmare, she stars as the elderly Dorothy, recently released from a mental hospital who is up to her old tricks once again…cannibalism. Rupert Davies plays her husband, Edmund, in what would be his last role. The terrific character actor would appear in many British horror films such as Dracula Has Risen from the Grave, The Conqueror Worm, The Brides of Fu Manchu, and The Oblong Box. Together Keith and Davies are the reason to catch this underseen, underappreciated nugget from 1974. That and all the goofy bright red gore. Good stuff.

“Worse than your most shocking nightmare!” – the poster tagline promises a nightmare to shock us all.

As soon as we mentioned “Pete Walker,” Bill’s ear perked up and he lauded with excitement. On the podcast, he shares why he enjoys the filmmaker so. Also, he discovers this is the one film of his he had never seen. In fact, none of the hosts had caught Frightmare before assigning it to this episode. A rarity, indeed. The film is similar to classic low budget horror films from England at that time, such as Pscyhomania which we covered in episode 49. Everyone shares their newfound admiration for this film and their shared hatred for the “Debbie” character, especially Chad who confesses it takes a lot for someone to elicit such disgust. But, it is all in service of the film itself.

We want to hear from you – the coolest, grooviest fans:  leave us a message or leave a comment on the site or email the Decades of Horror 1970s podcast hosts at docrotten@decadesofhorror.com.

 

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Cloverfield (2008) – Episode 34 – Decades of Horror 1990s And Beyond

“I had a good day.” Beth (Odette Yustman) declares her day at the carnival with Mike (Michael Stahl-David) to be a success. Little does she know that in a few months, their lives will be forever affected by the events codenamed CloverfieldTen years later, Cloverfield remains one of the few higher budgeted found footage films out there. It’s ingenious viral marketing campaign and secrecy developed a huge amount of buzz out of so little. Just throw a mysterious trailer in front of the first Transformers movie with the date “01-18-08” and you’ll gain a profit. But how does the film hold up long after the hype? Tune in to find out!

Decades of Horror 1990s And Beyond
Episode 34 – Cloverfield (2008)

Cloverfield was wrapped in mystery at the time it came out. Promotional websites helped build the hype started by the cryptic trailer. So many theories going in. Some suspected this was a secret new Godzilla film. Others even suspected a secret Lovecraft adaptation or Voltron live action film. Yet, Cloverfield ended up being… a completely original property about a giant monster attacking New York. In found footage style, we follow a group of young folks are shown having a party that’s rudely interrupted by The Statue of Liberty’s head roaring down the street. Now, they’ve got to find some way out as the monster and the little parasite creatures that come off it attack the city.

To commemorate the 10th anniversary of Cloverfield, Thomas Mariani enlists Adam Thomas, Sam Brutuxan and Ryan Corderman to dissect the footage left behind. There’s much talk about the design of the monster, the underrated cast members and all the hype of the viral marketing. Plus, where does the monster codenamed Clover rank amongst other kaiju? Did Lily (Jessica Lucas) make it out at the end? Can the smooth vocals of Sean Kingston help us deal with the impending doom of New York? All those questions and more will be answered in this episode!

Contact Us

We want to hear from you – the coolest, most gruesome fans:  leave us a message or leave a comment on the site or email the Decades of Horror 1990s And Beyond podcast hosts at thomasmariani@decadesofhorror.com or tweet Thomas @NotTheWhosTommy. Also, make sure to give us some love via iTunes reviews and ratings. Helps us get more notice along the way.

The intro and outro is “Suck City” by Black Math. Look for more of their music via Free Music Archive.

Next Episode

Man Bites Dog (1993)